An Emotive Family Drama in books is a genre focused on the intense emotional dynamics, conflicts, and bonds within a family. These stories delve deeply into relationships between family members, often highlighting struggles, secrets, and personal growth. The goal is to evoke strong emotions in readers, exploring themes like love, forgiveness, loyalty, and resilience in the face of family challenges.
7 Main Elements of an Emotive Family Drama Genre
- Intense Emotional Focus: Central to the genre are powerful emotions like love, grief, resentment, and forgiveness, deeply affecting the characters and readers.
- Complex Family Relationships: Stories explore intricate dynamics between family members, including parental bonds, sibling rivalries, or generational conflicts.
- Internal and External Conflict: Characters face both personal struggles and conflicts within the family, often rooted in past wounds, secrets, or misunderstandings.
- Realistic, Relatable Themes: Common themes include loss, betrayal, loyalty, redemption, and the pursuit of healing or reconciliation.
- Character Growth and Change: Characters typically undergo significant personal growth, often learning to understand themselves and others better as they face challenges.
- Exploration of Social and Cultural Issues: Family dramas often tackle broader societal themes, such as mental health, addiction, identity, or economic hardship, which impact the family unit.
- Cathartic Resolution: While not always a “happy ending,” these stories aim to provide emotional resolution, closure, or insight, leaving readers with something meaningful to reflect on.
1. Characterization is Everything
When writing an emotive family drama, pay special attention to character development. Relationships should be empathetic, and characters should be fully fleshed out.
This is not a genre that skimps on detail. Be fully aware of your characters’ backstories, what they want/ need, and the dynamics of the characters’ relationships to each other.
For a solid example of in-depth character development, check out D.H. Lawrence’s The Rainbow, a multi-generational family drama that follows many of the characters from their births to their deaths, with a rich understanding of their motivations and developments.
2. Variations on a Theme
Crafting a theme for a novel may seem secondary to other things, such as plot and character development. However, in family dramas, themes are vital. Whether the writer intends to expound on the necessity of friendship, the way loss affects life, or the sting of betrayal—this is the genre to fully develop a theme, the subtext of the story. What is all the fuss about? What is this drama highlighting?
Drama in storytelling serves to explore an idea fully, aiming for emotional impact and catharsis. Without a central theme, it risks becoming just characters in conflict without deeper purpose. A great example is The Lovely Bones by Alice Sebold, which uses drama to explore universal themes of grief, loss, and healing.
3. Add Conflict and Then Some
Relationships, especially familial relationships, are all about conflict. Conflict in a family drama helps us understand what the characters want, what is at heart between petty disagreements, and what needs to be healed or solved in order for the characters to go through their full character arc.
Including conflict in an emotive family drama allows writers to reveal and deepen every relationship in the story. For example, in We Need to Talk About Kevin by Lionel Shriver, conflict explores themes of grief, guilt, and the breakdown of family bonds as a mother grapples with her son’s role in a tragedy.
This intense family and internal conflict brings out the raw emotions of failure, loss, and heartbreak, making the story resonate deeply with readers.
4. Emotion is Your Friend
Dramas are, by their very nature, full of real human emotion. The very invention of the drama was meant to provoke emotion and provide an emotional release for the audience.
To do that, it is essential to make the characters act and behave in a believable, universally relatable manner. If your characters don’t act like real people, they will not elicit real feelings.
One of the best ways to do this is through the use of emotion—both by giving the reader a view of the rich emotional interior life of the character and by evoking an empathetic response or emotion in the reader.
So Much Drama
Apart from the family dramas cited above, there is a wealth of dramatic family literature as old as writing itself, from Sophocles’s antiquarian Antigone to Brit Bennet’s contemporary The Vanishing Half.
Family dramas have the potential to move your reader in a profound way by exploring themes that are resonant and, often, uncomfortable in a way that provides closure rather than avoidance or repulsion.
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1 Comment
How about the first line of my play, “Jump I’ll Catch You,” published by Samuel French. The opening line is;
“I died once.”